An early feminist from Bengal: Recalling Sarat Chandra Chattopadhyay

Illuminating the life and literary genesis of Chattopadhyay, an author with profound impact on Bengali literature and feminism.

Life and career Chattopadhyay’s formative years transpired predominantly at his uncle’s residence in Bhagalpur, Bihar, owing to the economic crisis stemming from his father’s unstable employment. Chattopadhyay’s literary proclivities were perceived as an inheritance from his father, who authored numerous stories. Reflecting on his lineage, Chattopadhyay acknowledged inheriting a restless spirit and a profound literary inclination from his father. The […]

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Transgressing gender and genre: Isabella Whitney’s appropriation of London

Stefani Brusberg-Kiermeier discusses Isabella Whitney’s poetry that appropriates the city of London to transgress both poetry and politics.

The poet Isabella Whitney is considered the first professional female writer in England to have had secular poetry published under her own name. Dr Stefani Brusberg-Kiermeier, professor of English literature at Hildesheim University, Germany, explores how Whitney presents herself as a respectable female poet in a male-dominated era by ‘appropriating’ the city of London, irrevocably weaving herself into its history […]

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A life in literature: An interview with Professor Nicholas Royle

Creative abstract landscape. Interview with Nicholas Royle, who is Professor of English at the University of Sussex and founding director of the Centre for Creative and Critical Thought. Since publishing his first work of criticism – Telepathy and Literature – in 1991, his creative output has been consistently varied and rewarding, blurring any firm conception of form or genre. Royle remains most widely known, perhaps, for his introduction to Literature, Criticism and Theory, written with Professor Andrew Bennett. The book is a remarkably creative and ever-evolving project which appraises literature through a shifting array of lenses, prompting us to reassess what we ultimately mean by the ’literary’ as distinct from other forms of writing.

Nicholas Royle is Professor of English at the University of Sussex and founding director of the Centre for Creative and Critical Thought. Since publishing his first work of criticism – Telepathy and Literature – in 1991, his creative output has been consistently varied and rewarding, blurring any firm conception of form or genre. Royle remains most widely known, perhaps, for […]

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